Rzeczywistość wirtualna: Różnice pomiędzy wersjami
Z Literatura przedmiotu
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* '(...) alchemy and theatre are virtual arts, so to speak, and do not contain their object within them any more than they contain their reality'<ref>Antonin Artaud, Alchemist Theatre, s. 34</ref> | * '(...) alchemy and theatre are virtual arts, so to speak, and do not contain their object within them any more than they contain their reality'<ref>Antonin Artaud, Alchemist Theatre, s. 34</ref> | ||
* 'All true alchemists know alchemical symbols are chimeras just as theatre is a chimera. And this eternal reference to the fundamental principles and objects in theatre, found in almost all alchemist texts ought to be understood as a feeling (...) of the similarity there is between the level on which characters, objects, portrayals and in a general way everything which makes up theatre's virtual reality develops, and the purely assumed, dreamlike level on which alchemist sings are evolved.'<ref>s. 35</ref> | * 'All true alchemists know alchemical symbols are chimeras just as theatre is a chimera. And this eternal reference to the fundamental principles and objects in theatre, found in almost all alchemist texts ought to be understood as a feeling (...) of the similarity there is between the level on which characters, objects, portrayals and in a general way everything which makes up theatre's virtual reality develops, and the purely assumed, dreamlike level on which alchemist sings are evolved.'<ref>s. 35</ref> | ||
| + | * "Wyświetlacz podłączony do komputera cyfrowego daje nam szansę oswojenia się z tworami niemożliwymi do zrealizowania w świcie fizycznym. To lustro prowadzące do matematycznej krainy czarów"<ref>Ivan Sutherland, The Ultimate Display, 1965, cyt. za: Howard Rheingold, Virtual Reality, s. 13-14.</ref> | ||
| + | * "The ultimate display would, of course, be a room within which the computer can control the existence of matter. A chair displayed in such a room would be good enough to sit in. Handcuffs displayed in such a room would be confining, and a bullet displayed in such a room would be fatal."<ref>Ivan Sutherland, The Ultimate Display, 1965.</ref> | ||
==Literatura== | ==Literatura== | ||
# Antonin Artaud, Alchemist Theatre, w: jego, Collected Works (Volume 4). 4-Riverrun Pr (1999). | # Antonin Artaud, Alchemist Theatre, w: jego, Collected Works (Volume 4). 4-Riverrun Pr (1999). | ||
# Antonin Artaud, Teatr alchemii, w: Teatr i jego sobowtór, Warszawa 2010. (pierwsze użycie terminu) | # Antonin Artaud, Teatr alchemii, w: Teatr i jego sobowtór, Warszawa 2010. (pierwsze użycie terminu) | ||
# [[Howard Rheingold]], Virtual Reality, 1991 | # [[Howard Rheingold]], Virtual Reality, 1991 | ||
| + | # Ivan Sutherland, The Ultimate Display, 1965. | ||
==Przypisy== | ==Przypisy== | ||
Wersja z 11:08, 5 maj 2021
- '(...) alchemy and theatre are virtual arts, so to speak, and do not contain their object within them any more than they contain their reality'[1]
- 'All true alchemists know alchemical symbols are chimeras just as theatre is a chimera. And this eternal reference to the fundamental principles and objects in theatre, found in almost all alchemist texts ought to be understood as a feeling (...) of the similarity there is between the level on which characters, objects, portrayals and in a general way everything which makes up theatre's virtual reality develops, and the purely assumed, dreamlike level on which alchemist sings are evolved.'[2]
- "Wyświetlacz podłączony do komputera cyfrowego daje nam szansę oswojenia się z tworami niemożliwymi do zrealizowania w świcie fizycznym. To lustro prowadzące do matematycznej krainy czarów"[3]
- "The ultimate display would, of course, be a room within which the computer can control the existence of matter. A chair displayed in such a room would be good enough to sit in. Handcuffs displayed in such a room would be confining, and a bullet displayed in such a room would be fatal."[4]
Literatura
- Antonin Artaud, Alchemist Theatre, w: jego, Collected Works (Volume 4). 4-Riverrun Pr (1999).
- Antonin Artaud, Teatr alchemii, w: Teatr i jego sobowtór, Warszawa 2010. (pierwsze użycie terminu)
- Howard Rheingold, Virtual Reality, 1991
- Ivan Sutherland, The Ultimate Display, 1965.
