Rzeczywistość wirtualna: Różnice pomiędzy wersjami
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− | # | + | * '(...) alchemy and theatre are virtual arts, so to speak, and do not contain their object within them any more than they contain their reality'<ref>Antonin Artaud, Alchemist Theatre, s. 34</ref> |
+ | * 'All true alchemists know alchemical symbols are chimeras just as theatre is a chimera. And this eternal reference to the fundamental principles and objects in theatre, found in almost all alchemist texts ought to be understood as a feeling (...) of the similarity there is between the level on which characters, objects, portrayals and in a general way everything which makes up theatre's virtual reality develops, and the purely assumed, dreamlike level on which alchemist sings are evolved.'<ref>s. 35</ref> | ||
+ | ==Literatura== | ||
+ | # Antonin Artaud, Alchemist Theatre, w: jego, Collected Works (Volume 4). 4-Riverrun Pr (1999). | ||
+ | # Antonin Artaud, Teatr alchemii, w: Teatr i jego sobowtór (pierwsze użycie terminu) | ||
# Howard Rheingold, Virtual Reality, 1991 | # Howard Rheingold, Virtual Reality, 1991 | ||
+ | ==Przypisy== |
Wersja z 20:23, 4 maj 2021
- '(...) alchemy and theatre are virtual arts, so to speak, and do not contain their object within them any more than they contain their reality'[1]
- 'All true alchemists know alchemical symbols are chimeras just as theatre is a chimera. And this eternal reference to the fundamental principles and objects in theatre, found in almost all alchemist texts ought to be understood as a feeling (...) of the similarity there is between the level on which characters, objects, portrayals and in a general way everything which makes up theatre's virtual reality develops, and the purely assumed, dreamlike level on which alchemist sings are evolved.'[2]
Literatura
- Antonin Artaud, Alchemist Theatre, w: jego, Collected Works (Volume 4). 4-Riverrun Pr (1999).
- Antonin Artaud, Teatr alchemii, w: Teatr i jego sobowtór (pierwsze użycie terminu)
- Howard Rheingold, Virtual Reality, 1991